Ramsey Lewis Upendo Ni Pamoja Rar Plus Year Career
Ramsey Lewis Upendo Ni Pamoja Rar Code And Other

Grand Dady I.U, Jay-Z, Lord Finesse, Microphone Nut Party Arty Large Professor - Get Of That Bullshit Jeru The Damaja - Invasion Alkaholiks ft.

Diamond D - The Next Level Funkdoobiest - Rock On (Remix) Funkdoobiest - Interview 95 Stretch Bobbito Freestyle Junior Mafia - Players Anthem LL Cool J - No Airplay Latee - Brainstorm Mobb Deep - Shook Ones Pt.

Blend Channel live Ft.

Gadget picked 25 of the most sought after Jousters instrumentals to showcase over an hours worth of music from the MJM collectives catalogue with features from the likes of Es-K, FloFilz, Pigeondust, Pawcut, Bones The Beat Head, Stay Classy, SmokedBeat, Dr MaD and many more.

Ramsey Lewis Upendo Ni Pamoja Rar Plus Year Career

The Way It Was is a special collection of tracks gathered from Ks 20 plus year career as a Hip Hop producer.

If you are the copyright owner or the Artist and dont want to see your stuff here, please contact me and Ill remove it.

Rodrigo 8:54 B1 Upendo Ni Pamoja (Love Is Together) Written-By E.

Eaton Written-By C.

Eaton (8:45) Level Up B2.1 Morning Level Up B2.2 The Nite Before Level Up B2.3 Eternal Peace B3 Put Your Hand In The Hand Written-By G.

Ramsey Lewis Upendo Ni Pamoja Rar Code And Other

Mastered At Customatrix Pressed By Columbia Records Pressing Plant, Santa Maria Credits Acoustic Bass Acoustical Bass, Electric Bass Cleveland Eaton Artwork Cover Art Don Wilson (7) Coordinator Production Co-ordinator Teo Macero Design Cover Design John Berg Drums, Percussion Morris Jennings Engineer Fred Plaut, Russ Payne, Stan Tonkel Photography By Back Cover Photo Ed Caraeff Producer, Concert Grand Piano Steinway Concert Grand Piano, Electric Piano Fender Rhodes Electric Piano, Liner Notes Ramsey Lewis Barcode and Other Identifiers Matrix Runout (Side A label): AL 31096 Matrix Runout (Side B label): BL 31096 Matrix Runout (Side A runout stamped, S etched): o P AL 31096-1C S Matrix Runout (Side B runout stamped): o P BL 31096-1A Pressing Plant ID (Side A runout): S (backwards) Rights Society (Tracks A1,A4,A5): ASCAP Rights Society (Tracks A2,A3,B1 to B4): BMI Other Versions Spinner Recommendations Spinner Reviews Spinner Close Ad About Discogs Chevron Down About Us Blog App Careers API Change Log Help Is Here Chevron Down Help Support Forum Keyboard Shortcuts Database Guidelines Discogs Shipping Join In Chevron Down Get Started Contribute Add Release Contributor List Help Translate Discogs Events Advertise With Us Follow Us Facebook Square Facebook Twitter Twitter Youtube Youtube Instagram Instagram Mixcloud Mixcloud Soundcloud Soundcloud Pinterest Pinterest 2021 Discogs Manage Preferences Cookie Policy Terms of Service Privacy Policy California Privacy Notice Accessibility Statement Globe Deutsch English Espaol Franais Italiano Portugus (Brasil) Русский Caret Down.

This included his three biggest hits The In Crowd, Hang On Sloopy and Wade In The Water which would featured on Ramsey Lewis Newly Recorded All-Time Non-Stop Golden Hits, which later, became known as Ramsey Lewis Golden Hits.

This was the first of nineteen albums that Ramsey Lewis released on Argo Records, before moving to the Chess Records imprint Cadet Records in 1965.

With three gold discs to his name, Ramsey Lewis was one of the most successful jazz pianists, and was also enjoying something that many jazz musicians cravedcrossover appeal.

However, many of Ramsey Lewis albums were now charting the US Billboard 200, as his music continued to find a wider audience after the success of The In Crowd, Hang On Sloopy and Wade In The Water.

It looked like Ramsey Lewis had hit the musical jackpot.

Ramsey Lewis had released thirty-three albums for Argo Records and Cadet Records by the time he signed to Columbia was one of the most successful artists on Chess Records roster.

However, his time at Chess Records was at an end, and a new chapter began at Columbia.

They worked their way through eight cover versions and Cleveland Eatons Trilogy of Morning, The Nite Before and Eternal Peace.

It was part of album that received mixed reviews from critics, who believed that the album was a couple of tracks from being an essential album from Ramsey Lewis.

These four albums are a reminder of Ramsey Lewis music between 1973 and 1974 as the musical chameleon continued to reinvent himself.

It would eventually feature a mixture of cover versions and songs penned by Ramsey Lewis, Cleveland Eaton and Morris Jennings.

This included What It Is, Serene Funk and Dreams.

Violinist and percussionist Eddie Green who was drafted in to play on Funky Serenity contributed Kufanya Mapenzi (Making Love) and My Love For You.

They were joined by covers of Homer Banks, Carl Hampton and Raymond Jacksons (If Loving You Is Wrong) I Dont Want to Be Right, Justin Haywards Nights In White Satin, Thom Bell and Linda Creeds Betcha by Golly, Wow and Ralph MacDonald and William Salters Where Is The Love.

These nine tracks were recorded by a quartet which was produced by Ramsey Lewis.

Violinist and percussionist Eddie Green was the final member of the quartet that recorded Funky Serenity.

However, Funky Serenity was a reminder of why Ramsey Lewis was one of the most successful jazz pianists of his generation.

Very different is the gospel-tinged and funky What It Is, which is a reminder of Ramsey Lewis mid-sixties classic sound.

My Love For You is a dreamy, mid-tempo ballad that ebbs and flows, before giving way to Nights In White Satin, where Ramsey Lewis drops the tempo and Ed Greenes violin adds a brief avant-garde influence as they try to reinvent a classic.

Its all change on Serene Funk which is slow, bluesy and funky, as Ramsey Lewis pounds at the electric piano and plays a starring role.

Initially, Dreams is atmospheric, eerie and otherworldly before heading in the direction of funk.

This leaves just covers of Betcha by Golly, Wow and Where Is The Love which ensures that Funky Serenity closes on a high.

To make matters worse, when Funky Serenity was released in 1973, it failed to chart in the US Billboard 200 and US RB charts.

However, Funky Serenity reached number seven in the US Jazz charts, which offered a small crumb of comfort to executives at Columbia.